De Profundis. (). for accordion. Duration: 9′. Territory. This work is available from Boosey & Hawkes for the UK, countries of the Commonwealth (excluding. Sofia Gubaidulina. Publisher: G. Schirmer. De Profundis (for solo Bayan) (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Timbre, texture and spiritual symbolism in Gubaidulina’s two works, De profundis and Et expecto. Aural sonology as a tool to explore sonic and structural aspects.
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The Killing of a Sacred Deer. It was a beautiful, heart-warming sight. Profunddis work was written in consultation with the player Friederich Lips, who premiered it in Moscow in How to add your events to Bachtrack.
“Silenzio” and “De Profundis” by Sofia Gubaidulina – Geir Draugsvoll – Classical Accordion
As a stratospheric cello and low violin joined it in stasis and then silence, the concert had gone full circle: Reviewed at Royal Academy of Music: Silenzio; De profundis; Et exspecto; In Erwartung.
Some features of this site may not work without it. Through aural sonology, this research focuses on the exploration of emerging gestalts through performance and interpretation.
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Share on facebook twitter tumblr. By David Fay23 February As the doors were closing, though, and I was contemplating this curse of the contemporary, something strange and unexpected happened.
De profundis, for bayan
Ed all active major composers, she has shown the most interest in using the classical accordion. Timbre, texture and spiritual symbolism in Gubaidulina’s two works, De profundis and Et expecto. Genre Chamber Music Classical Keyboard. A musical bucket list: Aural sonology as a tool to explore sonic and gubaidullina aspects of interpretation in contemporary accordion music Angell, Andreas Nikolai.
The goal of this thesis is to ascertain which timbral musical objects are heard, illuminate the structural forms of the music and make an interpretation of the symbolic meaning in the chosen works. It is also represented symbolically: His specialism is religious music but his musical passions range from Alkaline Trio to Zadok the Priest.
The juxtaposition of these two pared-down symphonies was a brilliant idea superbly executed. Unusual techniques are also used, from glissandi, shuddering vibratos and the sighing sound of the instrument’s bellows. Various textures are used, from a chorale idea that represents hope, to a long single-line melody suggesting prayer.
These were students, that mythical breed of music-lovers, here to gambol in gubaixulina delights of startling music performed by their esteemed confreres.
This evening was a true joy: It was a great little piece: As a professed orthodox Christian, Gubaidulina is recognized for using religious symbolism in her music. Christopher Hogwood Mahler arr. High Way for One.